Life and Strive by Anat Eisenberg & Mirko Winkel
Martina Rösler
The two young artists Anat Eisenberg & Mirko Winkel based in Berlin met each other in the MA-programme „Solo/Dance/Authorship“ at the Inter-University Center for Dance (Berlin). In their new work, created especially for the city of Istanbul, they do a research on the current trends in upper class residential buildings, which are based on the creation of self-contained, separate communities.
A limited number of spectators/participants (maximal 15 people) is meeting on the rooftop of luxury Marmara Hotel, offering a stunning view over Istanbul. The artists introduce their work very briefly and inform us that we are going to have an appointment in such a building pretending we are willing to buy or invest. We are encouraged to create a fake identity in terms of believability.
The duration of the transfer in a minibus stimulates various thoughts about identity, the further development and also doubts about the veritableness of the whole event. Will we ever arrive? We do! The two artists split the group and stay as “assistants” with them. Two different buildings are examined. A “real” sales conversation takes its course, finding ourselves in the 26th floor of the construction site of Rixos Residences with a breathtaking view, talking about prices and furniture. The absurdity of the whole situation, which started playful is getting unpleasant and objectionable. One of the interlocutors is not clearly aware of the fact that the entire dialog is not real, not honest. This unequal degree of knowledgeability makes the project non-transparent and somehow missing the point.
The journey ends again at the starting point, but the “audience” is left alone with a lot of questions. What remains is simultaneously an abiding memory and unique experience as well as an indisposition and discomfort about the whole topic of differentiation, exclusion, affiliation and membership.
A limited number of spectators/participants (maximal 15 people) is meeting on the rooftop of luxury Marmara Hotel, offering a stunning view over Istanbul. The artists introduce their work very briefly and inform us that we are going to have an appointment in such a building pretending we are willing to buy or invest. We are encouraged to create a fake identity in terms of believability.
The duration of the transfer in a minibus stimulates various thoughts about identity, the further development and also doubts about the veritableness of the whole event. Will we ever arrive? We do! The two artists split the group and stay as “assistants” with them. Two different buildings are examined. A “real” sales conversation takes its course, finding ourselves in the 26th floor of the construction site of Rixos Residences with a breathtaking view, talking about prices and furniture. The absurdity of the whole situation, which started playful is getting unpleasant and objectionable. One of the interlocutors is not clearly aware of the fact that the entire dialog is not real, not honest. This unequal degree of knowledgeability makes the project non-transparent and somehow missing the point.
The journey ends again at the starting point, but the “audience” is left alone with a lot of questions. What remains is simultaneously an abiding memory and unique experience as well as an indisposition and discomfort about the whole topic of differentiation, exclusion, affiliation and membership.
No comments yet
iDANS Blog 