“Do I see what I hear? Do I hear what I see?” Those are the questions that provoke young and promising French choreographer Maud Le Pladec in her performance “Professor”. In this one-hour work, combining electronic music and sounds, movements, elements of theatre, live music performance and light, she investigates into the relationship between the music and the movement on stage. A large black curtain set parallel to the audience divides the stage in two parts – front and back – creating a situation of anxiety and expectation: what will come out from the other side? Extremely dimmed light brings the mood of “film-noir”. The presence of the three performers who are dressed in (almost) identical costumes, looking like one multiplied person, complete the picture, filling it with suspense and mystery. This visual ambient is dominated by the music structured as a collage of sounds and noises – a composition for electronic ensemble named “Professor Bad Trip” by Fausto Romitelli, which is the original inspiration for this performance. The movements and actions of the performers on stage are in direct relationship to the music. They are the embodiment of what the audience hears. The movements vary from hand gestures, through choreography of the whole body to facial expressions and “narrative” movements. Le Pladec very clearly and categorically announces her intention to “dance the music” from the first solo in the performance and remains consistent until the end. It is a pleasure (for a change) to watch dancers dance to music at least till the end of the third solo. From that moment on the music/movement module just repeats itself with variations. That is the moment when you start to ask youself – what is this performance really about?