Oct 20
Gurur Ertem: Your company “Beau Geste” was created in 1981 by seven dancers of the Centre National de Danse Contemporaine which was headed at that time by the American choreographer Alwin Nikolaїs –someone we now considered as a pioneer of multi-media theatre.
Gurur Ertem
G.E: “Beau Geste” adlı topluluğunuz 1981 yılında, o dönemde multi-medya tiyatronun öncüsü sayılan Alwin Nikolaїs’nin yönetilen Milli Çağdaş Dans Merkezi’nde eğitim görmüş yedi dansçı tarafından kurulmuş. Read more
The iDANS festival celebrating its 6th edition this year also hosts an exhibition of photography on dance, besides the performances and events taking place within its framework. Read more
Söyleşi: Özge Derman
Melis Tezkan ve Okan Urun’un 2006 yılında oluşturdukları biriken, 6. iDANS Uluslararası Çağdaş Dans ve Performans Festivali kapsamında 13 ve 14 Ekim tarihlerinde garajistanbul’da Ynt: İlt: beraberce ölmek adlı son projesinin ilk gösterimiyle seyirci karşısına çıkacak. Read more
Gurur Ertem: What made you interested in games, and why did you pick these particular ones?
Anne-Linn: It was Adrián who initially came with the idea of working with games. I have not really ever been a very active “player” myself, but I have for many years been working with task based improvisation and that is where my interest linked up with his. Dancing with other in this way often feels like a well-defined physical game. Read more
Söyleşiyi gerçekleştiren: Maimi Sato
Saburo Teshigawara, 1986 Bagnolet Uluslararası Koreografi Yarışması’nda Kaze no sentan (La Pointe du vent) başlıklı yapıtıyla seyircileri sersemletti ve uluslararası alanda adını ilk kez duyurdu. Bu yapıt, alışılagelmiş biçemsel tekniklere dayanmayan yenilikçi fiziksel ifade biçimleriyle ona çağdaş dans dünyasında ün kazandıran, düşme ve yeniden doğrulma motifi üzerine kuruluydu. Read more
an inteview with the artist by Aydın Silier and Gurur Ertem
Gurur Ertem: Your projects, along with those you’ve realized with Rimini Protokoll, could be considered as ventures into ‘histories of the present’, and as ‘sociology of everyday life’. Read more
iDANS Blog 